Response to Kathy O'Dell

I think one thing that really stood out to me is O'Dell's recurring use of mentioning a sort of domestic space to act as this home for video art and performance. Especially considering this early stage of video art where the medium was just a frontier in countless ways, where the TV alone is basically recent history. Her idea of presentation vs representation was better illustrated for me when describing Vito Acconci's work in which he performed publicly as a deranged individual demanding people not go near him. Early video art in general gives the feeling of this unexplored territory and given how fast the contemporary art scene developed in the turn of the 20th century it's really interesting to see how it further grew within the confines of this domestic home of the art world.

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